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Список вопросов базы знанийАнглийский язык (10 класс)Вопрос id:942885 Верны ли предложения?
А) The children read books yesterday.
В) The books were read by the children yesterday. ?) А - да, В - нет ?) А - нет, В - нет ?) А - да, В - да ?) А - нет, В - да Вопрос id:942886 Верны ли предложения?
А) The students is discussing the rules of the game.
В) The rules of the game was being discussed. ?) А - да, В - нет ?) А - да, В - да ?) А - нет, В - да ?) А - нет, В - нет Вопрос id:942887 Верны ли предложения?
А) The window is broken last night.
В) The window are broken by a slate that fell off the roof. ?) А - да, В - нет ?) А - нет, В - нет ?) А - да, В - да ?) А - нет, В - да Вопрос id:942888 Верны ли предложения?
А) The workers will build the bridge next year.
В) The bridge will be built next year. ?) А - да, В - да ?) А - да, В - нет ?) А - нет, В - да ?) А - нет, В - нет Вопрос id:942889 Верны ли предложения?
А) We speak English very often.
В) English is spoken very often. ?) А - да, В - да ?) А - нет, В - да ?) А - да, В - нет ?) А - нет, В - нет Вопрос id:942890 Верны ли предложения?
А) Dick has more money than Harry and Alice, doesn’t he?
В) There are a lot of high mountains in the Andes, are there? ?) А - да, В - нет ?) А - нет, В - нет ?) А - нет, В - да ?) А - да, В - да Вопрос id:942891 Верны ли предложения?
А) Seventy is more than seven, is it?
В) You can’t make a word shorter by putting a syllable at the end, can you? ?) А - нет, В - нет ?) А - да, В - да ?) А - нет, В - да ?) А - да, В - нет Вопрос id:942892 Верны ли предложения?
А) Popacatapetl is in Mexico, isn’t it?
В) Seven, seventeen and seventy are numbers, have they? ?) А - нет, В - да ?) А - да, В - да ?) А - нет, В - нет ?) А - да, В - нет Вопрос id:942893 Верны ли предложения?
А) He said that they would build the bridge next year.
В) He said that the bridge would be built next year. ?) А - да, В - нет ?) А - нет, В - нет ?) А - нет, В - да ?) А - да, В - да Вопрос id:942894 Верны ли предложения?
А) He were said to be a spy in World War II.
В) Jane has said to know all there is to know about chimpanzees. ?) А - да, В - нет ?) А - нет, В - да ?) А - да, В - да ?) А - нет, В - нет Вопрос id:942895 Верны ли предложения?
А) How the roads can be made safe?
В) My car were stolen last night. ?) А - да, В - да ?) А - да, В - нет ?) А - нет, В - нет ?) А - нет, В - да Вопрос id:942896 Верны ли предложения?
А) It is hot in the south of Europe in summer, is it?
В) Mr. Jackson can drive a car, does he? ?) А - нет, В - да ?) А - да, В - нет ?) А - нет, В - нет ?) А - да, В - да Вопрос id:942897 Верны ли предложения?
А) He hasn’t finished his work yet, hasn’t he?
В) By 2000 he’ll be working at this company, won’t he? ?) А - да, В - нет ?) А - да, В - да ?) А - нет, В - да ?) А - нет, В - нет Вопрос id:942898 Верны ли предложения?
А) They didn’t live near the station, do they?
В) She doesn’t go to town centre every day, does she? ?) А - нет, В - да ?) А - нет, В - нет ?) А - да, В - да ?) А - да, В - нет Вопрос id:942899 Дополните предложения: | Левая часть | Правая часть | Television adds the visual element, greatly increasing | the number of possible program forms. | Radio, for example, broadcasts speech and music, but in | an endless number of combinations. | There are a number of distinguishable types of programs that are broadcast, | but they often overlap in technique, subject matter, and style. |
Вопрос id:942900 Дополните предложения: | Левая часть | Правая часть | Most sizable broadcast organizations, however, | have several categories for administrative convenience. | But the definitions cannot be too precise, and lines | of demarcation are necessarily vague. | Entertainment can include comedy, impossible wholly to differentiate from drama; quizzes, not always easily distinguished from relatively serious programs of | information and education; popular music, in which the frontier with jazz andserious music is anything but rigid; and variety, or a series of unrelated acts, nearly always linked by a popular presenter or established performer. |
Вопрос id:942901 Дополните предложения: | Левая часть | Правая часть | From the early days of radio there was a tendency to make use of a variety format, and, as this approach represented | make use of a series of humorous situations or catchphrases, gradually building up a familiar background against which the incongruities of the script could exploit humour to the full. | A further development was the “situation comedy,” in which a number of characters, such as | the members of a family, remain in the same situation week after week but experience comic adventures. | From the music-hall–variety-type program emerged the “gang show,” in which a cast of performers remaining the same from week to week would | an extension of old music-hall traditions, success was achieved by many programs in this vein. |
Вопрос id:942902 Дополните предложения: | Левая часть | Правая часть | Though these laughter programs lost popularity on radio as television gained | popular acceptance, they have become the mainstays of television. | A contemporary phenomenon has been the comedy | program involving substantial amounts of political and social satire. | The many types of comedy entertainment programs that are produced around the world all have one common characteristic:not only have the performers needed the | stimulus of a studio audience, but also the listeners and viewers are stimulated by the laughter and applause of the audience. |
Вопрос id:942903 Дополните предложения: | Левая часть | Правая часть | It has also meant that large studios are required to accommodate not only the performers, frequently | to build studios of appropriate size, though radiobroadcasters in the early days preferred to purchase or rent small theatres. | In television there must be room for settings that have become increasingly ambitious and for dancers and choruses. Broadcasting organizations have generally been able | programs, a practice that is frowned upon but still practiced. | This has led to some abuses, such as the superimposition of laughter and applause on prerecorded | including more than one music combination, but also the audience. |
Вопрос id:942904 Дополните предложения: | Левая часть | Правая часть | Early radio drama was produced in a relatively small studio, often with a single microphone, just as early television | plays were produced with a single camera. | Radio and television drama is not best produced in a theatre; | the nature of the studio is therefore different. | In their form and structure, children's entertainment shows resemble those for adults. Animated cartoons, however, represent an exception | to this rule; the Hungarians, Poles, and French have achieved genuine distinction in this area. |
Вопрос id:942905 Дополните предложения: | Левая часть | Правая часть | Mixing in radio from one studio to another and in television from one set to another, plus increasingly sophisticated | sound effects and background music, have all become accepted techniques in drama production. | Radio engineers soon began to employ a control panel with inputs from more than one studio and sound | effects ingeniously achieved; their counterparts in television expanded their use of cameras and sets. | Inevitably, television drama has borrowed substantially from | the techniques of film production. |
Вопрос id:942906 Дополните предложения: | Левая часть | Правая часть | From the earliest daysof radio and television, the studio-produced drama has been an important ingredient in program schedules; | and important element in television schedules throughout the world. | Feature films, usually originally made for the cinema, continue to form an accepted | in television, as in films, it was not long before shooting on location also became an accepted practice. | Both radio and television occasionally broadcast live stage plays from theatres, | but thereis a general feeling that such offerings do not adequately exploit the advantages of either medium. |
Вопрос id:942907 Дополните предложения: | Левая часть | Правая часть | Offerings have included classicalGreek drama, Shakespeare and | other Elizabethan dramatists, the Spanish and French theatre, Russian and Scandinavian plays, and modern works. | Serial presentations on television and radio have included adaptations of famous works of literature, such as the novels of Charles | Dickens, Honoré de Balzac, and Leo Tolstoy, the ForsyteSaga of John Galsworthy, historical costume dramas based on the lives of such figures as Henry VIII and Elizabeth I of England,and, of course, the romantic melodramas aimed largely at the daytime viewer or listener, known as “soap operas.” Radio and television serials of fantasy and adventure are also produced for children. | Three other distinguishable types of drama have achieved almost universal popularity: western adventures; shows | involving gangsters, crime, and police; and shows set in hospitals and other medical situations. |
Вопрос id:942908 Дополните предложения: | Левая часть | Правая часть | In response, many broadcasting organizations have | introduced codes of practice to minimize such scenes. | Western adventure programs, largely produced in the United States, have been popular with | studios because of their relatively low production costs and ready salability abroad. | Violent episodes in some crime and western adventure programs have drawn criticism from | those who believe that such violence is harmful to children. |
Вопрос id:942909 Дополните предложения: | Левая часть | Правая часть | Dramatic series of this type have been shown all over | the world, often with dubbed sound tracks. | Although these exported U.S. productions are often much less expensive than home-produced programs, Australia has | to assure that home-produced dramas should have priority in terms of percentage of schedule hours and prime time(peak placing). | So many U.S. television programs havebeen exported, however, that broadcasting organizations in some nations, such as Japan and the United Kingdom, have taken steps | been able to produce some western-type series, and Canada has exploited its legendary “Mounties.” |
Вопрос id:942910 Дополните предложения: | Левая часть | Правая часть | A fear of controversy, the problem of maintaining an overall impartiality, and sometimes the belief that the mass audience would | in which a personality interviewer questions celebrities, sometimes with interludes of music or comedy or with serious discussions, documentaries, or lectures. | Spoken-word programs have included entertainment types, such as “This Is Your Life” and many of the “talk shows,” | be alienated by programs demanding a conscious effort and concentration, combined, in the early days of radio, to limit the time given to serious spoken-word programs. | It was not long, however, before many broadcasters developed a sense of pride and responsibility in their function and | regarded it as their duty to provide information and opinion. |
Вопрос id:942911 Дополните предложения: | Левая часть | Правая часть | Since it was inescapable that broadcast news would affect the industry, newspaper proprietors in the early | days of radio either made efforts to restrict the sources of news and the times at which it could be broadcast or sought themselves to enter the field. | In countries where broadcasting achieved a substantial measure of independence, some broadcasters gradually became concerned not only | with the exposition of fact and controversy but also with the task of exposing the ills and abuses of their society. | News continues to be the most important element in | spoken-word radio. |
Вопрос id:942912 Дополните предложения: | Левая часть | Правая часть | Nevertheless, there is no evidence that radionews reduced the circulation of newspapers; some have | even maintained that radio whetted the appetite of listeners for news and increased newspaper sales. | In areas where broadcasting was commercialized, the press was further concerned, because radiocompeted with | and, even more so, weekly or monthly magazines. | It would seem, however, that television has adversely affected the daily press | it for advertising revenues and because radio could almost always get a story to the public before the newspapers could. |
Вопрос id:942913 Дополните предложения: | Левая часть | Правая часть | Long before televisionoutstripped radio, broadcasting organizations were employing reporters and | even maintained that radio whetted the appetite of listeners for news and increased newspaper sales. | Television news presented additional production problems; the announcer at the microphone reading from a script or | TelePrompTer was not satisfactory, and it was not long before the greater part of television news was appropriately accompanied by relevant pictures. | Nevertheless, there is no evidence that radionews reduced the circulation of newspapers; some have | special and foreign correspondents and were supplementing the service received from news agencies. Some broadcast reporters became public personalities in their own right. |
Вопрос id:942914 Дополните предложения: | Левая часть | Правая часть | In general, however, broadcasting organizations have adjusted to the | much higher cost of television news. | In spite of substantial expenditure on the supply of such shots, television news is open to the criticism | of obtaining them were, and to some extent remain, serious problems. | The need for film shots and the cost and difficulty | that news values and objectivity are distorted by the availability or nonavailability of pictures. |
Вопрос id:942915 Дополните предложения: | Левая часть | Правая часть | The syndication of film reports, the development of live networks on an international basis, | such as Eurovision, and satellite communications have overcome most problems of news reporting on television. | On the other hand, it has become apparent that the psychological impact of film shots of war and civil disturbance, as of | accidents and disasters, is far greater than that of the radio report. | Television reports of, for example, the Vietnam War did far more to influence public opinion than | radio news bulletins could have done. |
Вопрос id:942916 Дополните предложения: | Левая часть | Правая часть | Radio has the advantage, however, of not requiring the same degree of attention; | was introduced even earlier on BBC. | In the United States there are radio stations that restrict themselves | entirely to news, usually in a continuous magazine format, plus, of course, the advertising spots. | The news magazine, or newsreel, in radio | the trend has been toward frequently repeated short bulletins. |
Вопрос id:942917 Дополните предложения: | Левая часть | Правая часть | This technique has spread into news bulletins | many voices and exploiting the technique of frequent renewal of stimulus, proved to be a successful formula. | A series of brief reports, interviews, and extracts from speeches, making use of | and is increasingly used in the coverage of current affairs, both in radio and television. | In all these programs of news and comment, one of the problems has been that of the anchors, or presenters, and the | degree to which they may be given freedom to project their personalities or express their views. |
Вопрос id:942918 Дополните предложения: | Левая часть | Правая часть | In the United States there have been fewer inhibitions in this area than in countries | the presenter of a magazine of news or comment, cannot be concealed, and these inhibitions have broken down. | Nevertheless, in western Europe and Commonwealth countries the impartiality | of broadcasting services remains an issue of greater importance than in the United States or Latin America. | In the case of the BBC, newsreaders were long anonymous; but on television the identity of a newsreader, or of | where broadcasting is or has been a monopoly and where the need for and tradition of impartiality have been dominant. |
Вопрос id:942919 Дополните предложения: | Левая часть | Правая часть | In all developed countries elaborate programs are prepared to report the results of | elections, though it is in the United States and the United Kingdom that these are most ambitious. | In Britain, when the Independent Television Authority was created, | it was enjoined to see that inthe coverage of controversial matters each program should be balanced in itself. | The BBC, with greater freedom, makes no effort to ensure balance in any one | program, provided that an overall balance in respect of any issue is achieved over a reasonable period of time. |
Вопрос id:942920 Дополните предложения: | Левая часть | Правая часть | Nevertheless, some successful lectures at much greater length have been scheduled occasionally on | television and in some countries on radio. Straight talk of 10 minutes or more does not lend itself to exciting television production, unless accompanied by filmed illustrations to the point where it all but becomes a documentary. | Nevertheless, there is no evidence that radionews reduced the circulation of newspapers; some have | even maintained that radio whetted the appetite of listeners for news and increased newspaper sales. | Another pattern popular in many countries involves a panel of distinguished figures under a | chairman, answering questions of a topical nature from members of a studio audience. |
Вопрос id:942921 Дополните предложения: | Левая часть | Правая часть | Development of the radio documentary stemmed from drama, as writers | searched for new material especially appropriate for broadcasting. | In some cases a parabolic microphone is employed so that questions may be asked from any part of the studio or | hall in which the program is mounted; others may call for written queries in advance so that questioners can be conveniently seated in the first row. | Some radio panel programs also solicit queries from members | of the listening audience who call them in on the telephone. |
Вопрос id:942922 Дополните предложения: | Левая часть | Правая часть | Ironically, just when these technical advances had made the best form | of public (current) affairs concerned with international relations, domestic politics, and social problems. | Development of the radio documentary stemmed from drama, as writers | of radio documentary possible, the television documentary on contemporary themes began to supplant its radio counterpart. | Documentaries have become more expository | searched for new material especially appropriate for broadcasting. |
Вопрос id:942923 Поставьте глагол в скобках в нужную форму: (Take) a cold shower in the morning is very useful. Вопрос id:942924 Поставьте глагол в скобках в нужную форму: He finished (speak) and sat down. Вопрос id:942925 Поставьте глагол в скобках в нужную форму: It’s no use (cry) ___ over spilt milk. Вопрос id:942926 Поставьте глагол в скобках в нужную форму: Stop (argue) ___, please! Вопрос id:942927 Поставьте глагол в скобках в нужную форму: Try to avoid (make) him angry. Вопрос id:942928 Поставьте глагол в скобках в нужную форму: Have you finished (write)? Вопрос id:942929 Поставьте глагол в скобках в нужную форму: I like (ski), but my sister prefers skating. Вопрос id:942930 Поставьте глагол в скобках в нужную форму: It looks like (rain). Вопрос id:942931 Поставьте глагол в скобках в нужную форму: My watch wants (repair). Вопрос id:942932 Поставьте глагол в скобках в нужную форму: She likes (sit) in the sun. Вопрос id:942933 Поставьте глагол в скобках в нужную форму: Thank you for (come). Вопрос id:942934 Поставьте глагол в скобках в нужную форму: He was fined for (drive) without lights. |